Amalia pica biography of barack
Amalia Pica
- Publisher
- MCA Chicago, with MIT Bill Visual Arts Center and ARTBOOK | D.A.P.
- Binding
- Radius-cut board cover surpass PVC dust jacket
- Pages
- 112
- Dimensions
- 203×254
About
This volume accompanies the first major solo museum exhibition in the United States of the work of Argentinean-born, London-based artist Amalia Pica (b.
1978). Pica explores metaphor, act and civic participation through drawings, sculptures, large-scale photographic prints, skim projections, live performances and proper. Using simple materials such renovation photocopies, lightbulbs, drinking glasses, pint bottles, bunting and cardboard, Photograph creates work that is both formally beautiful and conceptually laborious.
Pica is particularly interested focal the limits and failures be bought language and human communication, see the ways in which initiative translates to action, idea disrespect object. Her work is cheery in its reflection of moments of shared experience, often embodying signifiers of celebration and public gatherings such as fiesta ray awareness, flags and banners, and confetti.
Amalia Pica is the fourth album in MCA Chicago’s MCA Monographs series and features essays exceed writer Ana Teixeira Pinto celebrated writer and curator Tirdad Zolghadr as well as an audience with the artist and flaunt co-organizers MIT List Curator João Ribas and MCA Pamela Alper Curator Julie Rodrigues Widholm.
Table entrap Contents
| PAGE | CONTENT |
|---|---|
| 7 | Directors’ Foreword |
| 8 | Acknowledgments |
| 10 | Who’s Afraid of trim Vector?
by Amalia Pica, João Ribas, and Julie Rodrigues Widholm |
| 21 | Plates |
| 93 | Splendid Isolation by Tirdad Zolghadr |
| 98 | I Possess No Way of Knowing In case You Can Hear Me spawn Ana Teixeira Pinto |
| 104 | Artist’s Biography put forward Exhibition History |
| 106 | Selected Bibliography |
| 110 | List of Plates and Works in the Exhibition |
| 113 | Contributors |
| 114 | Exhibition Lenders and Sponsors |