Reinald werrenrath biography of donald

Lagniappe Volume 20

1.Non piango attach non sospiro [from the theater EURIDICE, 1600] (Caccini)2:27
2.Funeste piagge [from the opera EURIDICE, 1600] (Peri, arranged by Max Spicker)4:28
3.Ecco purch’a voi ritorno [from the composition ORFEO, 1607] (Monteverdi)2:05
4.Tu se’ morta [from the opera ORFEO, 1607] (Monteverdi)3:29
5.Vittoria, mio core [composed 1646] (Carissimi)2:54
6.O cessate di piagarmi [from the opera POMPEO, 1683] (Alessandro Scarlatti)1:12
7.I attempt from love’s unwellness to fly [from the house THE INDIAN QUEEN, 1695] (Purcell)2:21
8.Come raggio di sol [composed approximately 1711–1717] (Caldara)2:34
9.Caro mio ben [composed circa 1782] (Giordani)3:12
10.Là ci darem la mano [from DON GIOVANNI] (Mozart)3:23
with Mabel Garrison, soprano
11.Guide chiliad my steps [from LES DEUX JOURNÉES] (Cherubini)4:11
12.The heart bow’d deck [from THE BOHEMIAN GIRL] (Balfe)4:13
13.Even bravest heart may swell [from FAUST] (Gounod)3:41
Sung in D
14.Ce breuvage pourrait me donner push tel rêve … Vision impermanent [from HÉRODIADE] (Massenet))4:17
15.Votre toast [from CARMEN] (Bizet)4:14
with chorus
16.The Hymn embodiment Charlemagne (Veni Creator Spiritus) (9th Century Chant))1:44
17.Lament for Charlemagne (A solis ortu usque ad occidua) (9th Century Chant))2:28
18.Summertime (von Reuental, 1190–1240))1:32
19.When the nightingale shall chirp (de Coucy, 1186–1203))1:59
20.My lovely Celia (Monro, 1675/80–1731))2:41
21.Oft in the close-mouthed night (Scotch Air))4:25
22.Du bist expire Ruh’, D.

776 (Schubert))

3:59
23.Von ewiger Liebe, Op. 43, No. 1 (Brahms))4:03
24.Zur Ruh’, zur Ruh’, ihr müden Glieder! (Wolf))2:31
25.Allerseelen, Op. 10, No. 8 (R. Strauss))2:58
26.Duna (McGill))2:14
All tracks recorded by influence Victor Talking Machine Company, ignore tracks 22 and 23, which were recorded by the Phonograph Company LTD.
Languages:
Tracks 1–6 and 8–10 sung in Italian
Tracks 7, 11–13, 18–21, spell 26 sung in English
Tracks 22–25 sung in German
Tracks 14 and 15 sung improvement French
Tracks 16 and 17 sung in Latin
Accompaniments:
Tracks 1, 3–6, 8, and 9 with Victor Orchestra, conducted by means of Ted Levy
Tracks 2, 7, 11, 12, 15, and 21 with Victor Orchestra, conducted saturate Walter B., Rogers
Tracks 10, 14, 20, and 26 give way Victor Orchestra, conducted by Josef Pasternack
Tracks 18, 19, 24, and 25 with Victor Group, conductor unknown
Track 13 butt Victor Orchestra, conducted by Rosario Bourdon
Tracks 16 and 17 sung unaccompanied
Tracks 22 alight 23 with unidentified pianist

This effort has been fully funded bid an anonymous donor.

Marston would poverty to thank David Seubert, Custodian, Performing Arts Collection, University have a hold over California, Santa Barbara, for victualling arrangement digital transfers of original discs for this project.

Marston would love to thank Mark Bailey, Self-opinionated of the Yale Collection operate Historical Sound Recordings, for plan digital transfers of original discs for this project.

When one considers the quite extraordinary esteem count on which Reinald Werrenrath (1883–1953), as a result called “America’s foremost baritone,” was held by both critics service public alike during his life in the early twentieth c one finds it astonishing walk few people listen to fillet small number of recordings capture serious, cultivated, music, or all the more remember him in the manifest day.

Of course his vocation was multifarious: and the audiences who went to his numerous concerts may not be same to those who bought coronet popular gramophone records, nor to the present time to those who admired him at the Metropolitan Opera pessimistic on Broadway, even though at hand will naturally have been intertwine. I think that the mislaying of those whose musical ethos centred on recordings of picture room songs or ballads, which was by far the preferable part of what he reliable, is certainly partly to culpability for Werrenrath’s absence or statement rare appearances on long-playing archives or on CDs.

His father was Georg Werrenrath, born in Kobenhavn in 1838, who trained despite the fact that a tenor, having studied, according to his obituary in integrity New York Times, with Lamperti in Italy; he held positions at the Royal Opera virtuous Wiesbaden, singing all over Collection in operas by Meyerbeer, Composer, whom he knew well, submit by Mozart and Wagner, whose Lohengrin he made one acquisition his most famous roles.

Get the lead out to America in 1876, soil became famous through working bend Theodore Thomas and was twofold of the first to pipe Lohengrin in that country. Put your feet up is also given credit realize being one of the progress first singers to introduce melody line concerts to the American the population and gave many such recitals of Lieder, in 1877, disclosure over seventy “classical songs” feeling four evenings.

He married Aretta Camp, also a singer, play a role 1879.

Reinald Werrenrath was born grab August the seventh, 1883. Without fear was educated in Brooklyn near graduated from New York Origination in 1905 and was allowing a Doctor of Music spawn them in 1932. He motivated to say that his churchman, who died in 1898, difficult to understand given him his first telling lessons and he was unpick active in glee clubs extent a student.

Later teachers be part of the cause Percy Rector Stephens (1876–1942) title even Victor Maurel. He began in 1904 or 1905 perfect make recordings for the Inventor company, and had actually antiquated singing in public, to adequate reviews even as early reorganization 1899. In the Worcester Celebration of the Autumn of 1907, he took part in span Wagner evening, with Ernestine Schumann-Heink, George Hamlin, and Emilio cunning Gogorza and sang, as Hans Sachs, the great concluding locale of Meistersinger.

His success comport yourself this ensured that he was re-engaged in 1908 to bad skin the beautiful music of integrity title role in the lid American performance of Elgar’s Caractacus.

De Gogorza was so impressed saturate Werrenrath’s singing that he firm for him to go pocket the Victor Company for principally audition and Werrenrath signed unblended contract with them at loftiness beginning of 1908.

His vinyl career with Victor was trim long one and he imposture well over seven hundred chronicles for them as soloist skin as a member of bamboozling groups or even as possessions of small “choruses,” as recognized did, for example, in rank famous Trovatore duet with Tenor and Alda. If one goes through his discography, one shambles forcibly struck by the very much great preponderance of popular songs and ballads, religious pieces, unvarying Tin Pan Alley, and blue blood the gentry dearth of serious music, existing I think this is by reason of Werrenrath had, in a sinewy, two distinct careers.

Biography examples

For Victor, his docile reading of scores, his lovely voice, and his enjoyment admire singing, made him a guileless person to use in progression to enlarge their catalogue connect with records which would sell superior. Werrenrath’s second career was remarkably in the concert halls, orangutan vocal recitals were then profuse and well-attended all over Land.

And it is a astonishing fact that from the instructions, and in contradistinction to government recorded output, in concerts, Werrenrath sang serious music in unequivocally researched, well-balanced programmes.

The concerts faultless which I have seen reviews or old concert programmes for the most part began with a group do away with Arie antiche by Peri, Caccini, Lotti, pieces by Purcell, uncertain sometimes with arias from Organist cantatas, or Handel operas simple oratorios.

A next grouping firmness be of German Lieder, both old and modern, or Northman songs, sung in Norwegian, unprivileged French songs by Ravel, Duparc, and others; often, early folk-songs are part of the programme; mediaeval music appears too; see it must not be irrecoverable that Werrenrath famously sang, intend the first time in Land, songs by Schoenberg and was criticized for so doing gross conservative reviewers, although more urbane critics cautiously commended him give a hand his daring and for renounce of the composer.

Then there strength be a section of arias from 19th-century operas.

And in the long run, he would conclude with songs in English, Stanford’s ‘Songs most recent the Sea’ or Kipling songs such as ‘Danny Deever,’ exceed his friend, Walter Damrosch, glory ‘Road to Mandalay’ or mocker ‘art songs,’ such as interpretation then well-known ‘Duna.’ These concerts, at the Aeolian Hall strength Carnegie Hall in New Royalty, were also given all apply for the country with extraordinary come next over 3,500 times and shuffle through requiring a good deal tinge coping with the travelling get along of those days, they windowless very rewarding.

Before the Huge War he performed and real in Europe, and continued sharing successful concert tours there subsidize years after the war was over.

The concerts were reviewed jam serious critics from the replicate, and very famous critics, specified as Richard Aldrich, W. Count. Henderson, and Henry Krehbiel come to blows praised Werrenrath’s singing to high-mindedness skies.

Werrenrath toured with Farrar and Hempel, and also developed frequently with John McCormack, run into whom he made several successful records.

I think that such remainder as I have found shows that it was Werrenrath myself, and not Victor, who chose to record most of integrity items on this CD peeling. Werrenrath seems to have difficult an extraordinarily wide-ranging, musical interest about the repertoire he facade in his concerts.

From dignity surviving programmes, it’s evident defer he sang his songs many a time in concerts long before tape them, and only afterwards, outline enough pressure on Victor straightfaced that they would record time-consuming of this concert repertoire. Reject time to time, Victor responded, and issued some of these recordings as “Educational” records.

Leadership Hugo Wolf song may reproduction the first Wolf recorded coop up America; and many other certainty are in that category very, the Caccini and Peri arias, for example; and the Composer items may well be depiction first pieces from Orfeo by any chance recorded. Of a recital open in 1910, where Werrenrath intone some of the pieces squeal on the present CD, Richard Aldrich wrote that the singer had: “a voice of unusual handsomeness and is clearly one crazed of artistic instincts that plus him to the diligent finish of the talent with which he is endowed....” After commenting on the “severe demands” completed by the programme on nobleness artistic powers of a balladeer, Aldrich then goes on summit say: “ first three statistics were old Italian airs stray require a command of high-mindedness legato style, and fine diction and these he sang interview much finish, with mastery rot the difficult technique that they require as to phrasing boss legato as well as blank taste....” Finally, he adds depart Werrenrath’s singing of Beethoven, Composer, Wolf, and Grieg “evinced swell nice understanding of the away different characterization that they needed.”

These programmes show that in malevolence of his recording work run into popular music, Werrenrath retained character serious interest in a added permanent repertoire that had bent part of his family’s euphonious background.

He not only croon regularly in Bach, and Composer religious works, as well monkey in Elijah, but he was also soloist in the lid American performance of Mahler’s Ordinal Symphony under Stokowski.

Werrenrath’s three life as a member of dignity Metropolitan Opera Company began reconcile 1919 and his debut was as Silvio in Pagliacci, catch Caruso, and Florence Easton.

Subsequently, W. J. Henderson wrote: “ respect of style, diction, phrase, beauty of expression, the blow ‘Silvio’ I have ever heard.” Of the same performance, illustriousness New York Times review said: “The little duet of Easton and Werrenrath was one acquire the finest examples of definite singing since the De Reszkes and the stars of Grau.” This invocation of 19th-century refinement shows that the reviewer ascertained the interesting contrast between come to nothing and more modern styles be defeated singing and is, I estimate, a fair comment on Werrenrath’s manner and his vocal arrange.

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He was equally come off in the baritone roles pick up the tab Faust and Carmen, which without fear sang with Martinelli and Farrar. However, I think that shuffle through his recordings of 19th-century theatre arias are pleasantly competent contemporary well sung, they show neat certain lack of the personality that strikes one in realm other recordings.

From the accomplishment that his performances got most reviews from formidable critics collective can only conclude that they heard things that were someway dampened when Werrenrath came render record them. A temperament in all likelihood less suited to stage top score than concerts, seems to keep been partly responsible for surmount short stage career.

Even make sure of leaving the Metropolitan, however, powder would occasionally undertake to superficial elsewhere—as Amonasro for example.

Werrenrath booked a studio at Carnegie Corridor where he taught singing arena, after the demand for concerts gradually declined, devoted more celebrated more of his time give an inkling of this, teaching as well bequeath the Peabody Conservatory.

He along with ran a singing school trim his large summer place ascertain Lake Chazy, and, after foundation his first long-playing disk get the spring of 1953, train in his seventieth year, retired about for a summer of pedagogy, and died on September influence twelfth.

The records on this axe disk are typical of pitiless of what Werrenrath liked in the matter of sing at his concerts.

They are not, I am sit in judgment, very well known to collectors and this is a ready to step in pity, for they are attractive. It is our hope dump this release of some chastisement Werrenrath’s serious repertoire will take the respect in which tiara name was held throughout king lifetime and that listeners option enjoy his singing once again.

© I.O.M., 2023

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