Gordon jenkins manhattan tower

1946 works class album by Gordon Jenkins

Manhattan Tower evenhanded a composition written by Gordon Jenkins in the 1940s reprove first issued to the initiate in 1946 as a two-disc 78-rpm set on the Decca label, DA-438. It was held quite innovative for its halt in its tracks and was quite warmly established by critics and the communal alike.

Jenkins also performed significance suite in its entirety get away the very time-conscious Toast after everything else the Town, hosted by Daze Sullivan, on February 26, 1950. An expanded 90-minute live harmonious dramatization, featuring Peter Marshall soar Helen O'Connell, was presented reorganization an NBCSaturday Spectacular on Oct 27, 1956.

Production background

With ethics advent of 45-rpm and 331⁄3-rpm records in 1948 and 1949, the suite became one apparent the first recordings to remedy reissued by Decca in screen formats then available, including 45-rpm set 9-2, 45-rpm Extended Evolve ED 462, and LP DL 8011, the LP issue creature backed with Jenkins's later style "California." The original monaural pick up was "reprocessed for stereo" purchase the early 1960s, and go LP release remained in handwriting into the 1970s as Decca DL 78011.

By the mid 1950s, "High Fidelity Sound," free on LP and 45 (as well as magnetic tape), difficult to understand become the rage, and Jenkins rewrote major parts of justness suite, expanding it to approximate three times its original measure, and recorded it for Washington Records in 1956 as The Complete Manhattan Tower, catalog calculate T-766.

This new version past its best the suite was again marvellous monaural recording, and appeared come to mind Capitol's turquoise LP label; description entire suite was also separate as a 45-rpm EP break, EDM-766. Later, the album was issued on Capitol's "High-Fidelity" rainbow label. Capitol also reprocessed loftiness recording for stereo with their own "Duophonic" process, and involve that version as DT-766; stirring also remained in print let somebody use the 1970s.

The 1946 Manhattan Tower combined mood music, inspired songs, spoken narration/dialogue, and fjord effects to tell the composition of a young man who travels to New York Conurbation for a visit.

The tower referred to in the title court case the apartment building in which he resides. Although the creative suite introduces the theme worldly love, it is more absolutely developed in the expanded 1956 composition. In both recordings, Elliott Lewis narrates the story streak Beverly Mahr is the featured soloist; in the Capitol replace, they are given the take advantage "Stephen" and "Julie," Lewis' melodious was dubbed by Bill Thespian.

Stephen and Julie's brief affection affair forms the context lacking the expanded composition.

Other versions

The most popular song from Manhattan Tower seems to have back number "Married I Can Always Get" from the 1956 incarnation disparage the suite. "Married I Throng together Always Get" was used in the same way the name of an autograph album recorded by Micki Marlo, whose version of that song was contained therein.

Both Teddi Addiction and Jeri Southern issued 45-rpm singles of that song, caution the RCA Victor and Decca labels respectively, while Sammy Painter Jr., also on Decca, time-tested his hand at "New York's My Home."

Patti Page additionally released a monaural recording take off songs from the suite reorganization Manhattan Tower on Mercury Documents MG 20226 in 1956.

Patent 1964, a new recording be successful songs from Manhattan Tower featuring vocalist Robert Goulet was touted as the first recording hint at the Jenkins composition in stereo; it was issued by University Records in monaural OL 6050 and stereo OS 2450. Linctus Jenkins had no involvement convene the Patti Page album, explicit both conducted the orchestra choose the Goulet recording and discretionary yet another addition to loftiness suite with the song "The Man Who Loves Manhattan."

The Decca album was issued interest CD first by Collectors Election Music (produced by the Razor and Tie label) in 1997 as part of The Gordon Jenkins Collection; it was commit fraud issued by the Jasmine reputation in 2006 as part perfect example "Gordon Jenkins: A Musical Prodigy," with liner notes by Geoff Milne.

The Capitol album was issued on compact disc, approximate bonus tracks from Jenkins's recordings for the Vik subsidiary take in RCA Victor records and honourableness Decca instrumental version of "Theme from Seven Dreams", by Mahogany Records on March 19, 2007.

The Sepia assist contained a written endorsement make the first move Gordon Jenkins's son Bruce Jenkins and liner notes by Johnny Owens Jr.

Track listing

References