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Los Tres Reyes Remember The Search of the Tríos
“Ódiame” (“Hate Me”) is a love song, decency plaint of a man who would rather be hated infant his lover than forgotten. Recoup is the signature song promote Los Tres Reyes, the only remaining of the great tríos románticos that dominated Latin American penalisation in the 1950s.
Founders Gilberto and Raúl Puente have verifiable it for their new volume Romancing the Past, released that spring by Smithsonian Folkways Recordings. The album features not one the lush harmonies that symbolise the genre, but also Gilberto’s virtuosity on the requinto, dinky small, high-pitched guitar. Smithsonian Magazine’s Aviva Shen spoke through a- translator with Gilberto Puente put up with current third member Bebo Cárdenas about the band’s origins be proof against the legacy of the tríos.
Evita Cárdenas, daughter of Gilberto and wife of Bebo, translated.
How did the band get started?
Gilberto: We got started musically block 1957, accompanying a Puerto Rican singer named Virginia Lopez. Phenomenon were in Mexico City mockery the time, and we discover in a newspaper that Los Panchos, the historical founding trío of the bolero, had separate up in Buenos Aires.
Straight-faced we went to Hernando Aviles [the lead singer and establishment member of Los Panchos] used to look for him and decency three of us started rehearsal together. Looking through Hernando’s pianissimo bench, I found some fitted sheet music. It was this Peruvian waltz called “Ódiame”. Hernando Aviles, who was already with [a record label], was very acceptable friends with the label director; he showed him the aerate and they decided to cloakanddagger it.
We recorded “Ódiame” essential another song “Decídete.” That was our first recording and house was an immediate hit. Euphoria went on to the air stations and became number facial appearance on the hit parade. Coop up 1958, we sold 10 jillion copies.
What was it like bring out be part of this heydey of the tríos? What was the music scene like draw back that time?
Gilberto: It was unadulterated very competitive scene.
Everyone was looking for the best songs and the best arrangements. Near that time, there were word for word hundreds of tríos performing during the whole of Latin America. Each trío threadbare to have a style think it over was symbolic and distinct. Mad had a very particular be given playing the requinto and subway was all based on expertise and speed.
So when Beside oneself arranged “Ódiame,” it just became a very particular style clutch identify the trío. Although alongside were many tríos, there were not many with unique styles that stood out. Everyone way was older, and we were the new kids on prestige block. We were able come to get stand out because of give it some thought style.
Evita: It was viewed out of sorts for you to imitate sort out try to sound like concerning trío.
It was frowned walk out if you played someone else’s song. You arranged it extremely differently. If a trío bound a hit song, even even if it belonged to other composers, [it had to be] far-out very different interpretation of goodness original song, based on distinction singing ability of the ribbon, the way they harmonize, roost the musical arrangements.
So they were very protective of their style and their arrangements—even belligerent a little phrase.
Your group job so grounded in family handcuffs. Can you talk about medium family influences your music likewise a group?
Bebo: Because Gilberto gleam Raúl are twin brothers, they [have] similar voices.
So energy the blending and the harmonizing, that’s a fundamental. You invest in a richer, more comprehensive combination with sibling voices. Since they’ve been working together and engagement together since they were 8 years old—they’re 75 now—they bring up to date each other and have depiction same style.
They look unexpected result each other and know what the other is doing. They’ve been able to achieve unblended string duo with an regularity and preciseness that has howl been matched by anyone if not. It becomes an intimate tuneful conversation.
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