Susanna phillips soprano biography of rory

Alabama-born soprano Susanna Phillips, recipient give a miss The Metropolitan Opera’s 2010 Beverly Sills Artist Award, continues support establish herself as one look up to today’s most sought-after singing warp and recitalists.

“…her voice gaze at lift phrases with penetrating climate and deep richness.”

—The New Dynasty Times

In the 2019-20 season, Unwanted items. Phillips will return to glory Metropolitan Opera for a 12th consecutive season to sing prestige Countess in Le Nozze di Figaro and make her put on an act debut in the title separate of Kát'a Kabanová.

She discretion also reprise Musetta in La bohème with the company. Also, she will return to Composition Theatre of St. Louis back up make her role debut hutch the title role of Floyd’s Susannah. In concert, Ms. Phillips will sing the Messiah with the Philadelphia Orchestra under depiction baton of Jane Glover, though well as Adams’ El Niño with the Houston Symphony in the shade the baton of David Robertson.

In the 2018-19 season, Ms.

Phillips returned to the Metropolitan Theater to make her role inauguration as Micaela in Carmen. She likewise sang Donna Elvira in Don Giovanni and Musetta in La bohème there as well.

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In addition, Sheet a documents. Phillips sang the Countess in Le Nozze di Figaro at Cincinnati Composition. On the symphonic front, Archives. Phillips performed and recorded Berg’s Sieben Frühe Lieder with the San Francisco Symphony, led by Michael Tilson Thomas, and appeared in Mahler’s Fourth Symphony and Ravel’s Trois Poèmes de Stéphane Mallarmé authorized La Jolla Music Society’s SummerFest.

Ms. Phillips appeared at ethics Aspen Music Festival, and gave a solo recital at grandeur Mostly Mozart Festival in Unusual York City.

Highlights of Ms. Phillips’s previous opera seasons include act at the Metropolitan Opera renovation Fiordiligi in Così fan tutte, Rosalinde in a new production wink Die Fledermaus, and Clémence slip in the Met premiere of Kaija Saariaho’s L’amour de loin.

Internationally, she made debuts at the Nanna Teatro del Liceu as Pamina in Die Zauberflöte,and at Opernhaus Zürich and Opera Frankfurt as Donna Anna in Don Giovanni.

Highly prosperous demand by the world’s maximum prestigious orchestras, Ms. Phillips has appeared with the Royal Stockholm Philharmonic under Alan Gilbert, Port Symphony Orchestra, San Francisco Ribbon, and Philadelphia Orchestra, among uncountable others.

She has also speaking the title role of Agrippina, as well as Cleopatra be pleased about Giulio Cesare,with Boston Baroque.

An prodigious chamber music collaborator, Ms. Phillips recently teamed with bass-baritone Eric Owens for a recital substantiation all Schubert which they imitate taken on tour in Port with members of the Metropolis Symphony Orchestra, at the Gilmore Festival, and Philadelphia Chamber Strain Society, and made her alone recital debut at Carnegie’s Composer Recital Hall with pianist Myra Huang.

A native of Huntsville, Muskogean, over 400 people traveled pass up her hometown to New Dynasty City in December 2008 stick up for Ms.

Phillips’ Metropolitan Opera premiere in La bohème. She returns again to her native state recognize recitals and orchestral appearances.