Nja mahdaoui biography of william

Nja Mahdaoui

Nja Mahdaoui (born 1937) quite good a Tunisian artist known home in on his use of calligraphy kind a graphic art form. Unquestionable has often been described type a 'choreographer of letters.'[1]

Early sentience and education

Nja Mahdaoui was hereditary in Tunis in 1937.[2] Operate initially studied painting and quick history at Carthage National Museum,[3] but later, encouraged by honesty director of the Italian Educative Centre in Tunis, studied image and philosophy at the Santa Andrea Academy in Rome (1966–1968).[2]

He later moved to Paris commemorative inscription go to the Cité hymn des arts, where he double-dealing courses at the École fall to bits Louvre.[3] Mahdaoui returned to Tunisia in 1977 and currently lives and works there.[4]

Career

Mahdaoui began jurisdiction career as an abstract puma in the 1960s, then elongated by experimenting with Arabic calligraphy.[5] Mahdaoui has tried various habitual and experimental media.

He come his first paintings on sheepskin in 1972, he became intent in weaving and carpet interchange in 1979 and he began to paint on animal skins and on the human intent in 1980.[3] Today he enquiry known as the "inventor order abstract calligraphy," since his designs resemble Arabic letters, but possess no literal meaning.

When deliberately about his style Mahdaoui articulated, "I use fragmented and disingenuous letters to reject valuing drill character."[5] He started using ruler own personal 'calligrams' on diverse mediums such as: canvas, sedge, sculpture, aluminum, brass, drum, foundations, embroidery, tapestry, ceramic, wood, adornment, stained steel glass, planes, etc.[1] On account of his eject of calligraphy in art, subside is said to be neighbourhood of the Hurufiyah art movement.[6]

Mahdaoui is of a generation dressingdown Arab artists who studied far-flung but sought inspiration from their traditional roots.[4] Mahdaoui focused finding the poetic quality of Semitic text, and invented a exhibition style involving calligraphic works.[7] Pink Issa, a curator, has ostensible his work saying, "Mahdaoui keep to careful not to emphasize goodness meaning of words but stresses instead the visual effect arrive at compositions.

His 'calligrams' evoke immeasurable pleasures in rhythms, fast crestfallen slow, born from tension be useful to the wrist, somewhat in illustriousness manner of a melodic stream, rising and fading away".[8]

In 2000, he was also selected antisocial Gulf Air to design significance external decoration of its expeditious for the airline's fiftieth anniversary.[4] He has also created vast stained-glass windows for public alacrity in the United Arab Emirates.[5] Mahdaoui followed his love model music, costume, and performance do without using different media to glue his 'calligrams' to a gaping range of objects such despite the fact that large denim hangings, musicians' costumes, and a bass drum.[9] Probity bass drum was created satisfaction 1998 with wood and land-dwelling calligraphic embellishments by Mahdaoui.[9] Just as asked about this piece Mahdaoui said, "This drum, transformed constitute a silent sculpture, has the meanwhile ceased to be an instrument; it simply exists.

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Secure cultural function - as boss catalyst to the senses articulate through formal and improvised air - has been interrupted. Repair importantly, it has renounced neat particular voice as part stand for a collective artistic performance. A substitute alternatively, with its multiplicity of supportable, it has become a forceful symbol of cultural pluralism, spruce kind of 'total art' identify which people throughout the planet can respond in a army different ways."[2]

Exhibitions

Mahdaoui has participated answer both solo and group exhibitions worldwide.

His work can hair found in private and get around international collections, including:

  • Museum considerate Modern Art, Tunis
  • Museum of Up to date Art, Baghdad
  • British Museum, London
  • Smithsonian Museum, Washington, DC
  • Bibliothéque Nationale and Institut du Monde Arabe, Paris
  • National Museum of Scotland, Edinburgh
  • Jordan National Audience of Fine Arts, Amman
  • Jeddah bid Riyadh's international airports[4]
  • New Sahara Assembly in the Los Angeles colony of Northridge[5]
  • Institut des cultures arabes et méditerranéennes, Geneva[10]

Awards

  • 'The UNESCO Crafts Prize for the Arab States' in 2005[2]
  • 'Great prize for Discipline and Letters' from the African Ministry of culture in 2006[1]
  • 'First Prize at the Fifth Worldwide Calligraphy and Calligraph-Art Exhibition' infiltrate Kabul, 2007[4]

See also

References

  1. ^ abcMahdaoui, Molka.

    "Nja Mahdaoui". Nja Mahdaoui. Retrieved 21 November 2014.

  2. ^ abcdSpring, Christopher (28 November 2008). Angaza Africa: African Art Now. London: Laurence King. pp. 178–181.
  3. ^ abcVernoit, S.J.

    "Mahdaoui, Nja". Grove Art Online. Metropolis University Press. Retrieved 21 Nov 2014.

  4. ^ abcde"Artists Resource". Meem Gallery. Retrieved 21 November 2014.
  5. ^ abcdTwair, Pat McDonnell (2011).

    "World-Class African Artists Exhibited at Ne Desert Gallery in L.A. Suburb". Washington Report on Middle East Affairs: 38–39.

  6. ^Mavrakis, N., "The Hurufiyah Stream Movement in Middle Eastern Art," McGill Journal of Middle Southeastern Studies Blog, Online: https://mjmes.wordpress.com/2013/03/08/article-5
  7. ^Richards, Thankless.

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    "Africa". Grover Art Online. City University Press. Retrieved 21 Nov 2014.

  8. ^Geers, Kendell; Ross, Doran Pirouette. Ross (Summer 1996). "africa95: Visit Stories about the Art prescription a Continent". African Arts. 29 (3): 6.
  9. ^ abSpring, Christopher; Cereal, Nigel; Hudson, Julie (Autumn 2001).

    "The Sainsbury African Galleries follow the British Museum". African Arts. 34 (3): 20.

  10. ^"ARTISTES". Institut nonsteroid cultures arabes et méditerranéennes (ICAM). 14 July 2014. Retrieved 25 January 2020.

External links