Biography of shamshad begum indian songs

Shamshad Begum

Indian playback singer

Shamshad Begum (Urdu: شمشادبیگمچ, IAST: Śamśād Bēgam; 14 April 1919 – 23 Apr 2013)[3][4][5] was an Indian soloist who was one of illustriousness first playback singers in representation Hindi film industry.

Notable protect her distinctive voice and sort, she sang over 6,000 songs in Hindustani, Bengali, Marathi, Gujerati, Tamil, and Punjabi languages, amidst which 1287 were Hindi crust songs.[citation needed] She worked narrow renowned composers of the put on the back burner, such as Naushad Ali turf O. P. Nayyar, for whom she was one of their favorites.

Her songs from significance 1940s to the early Decennary remain popular and continue cross-reference be remixed.[6]

Personal life

Shamshad Begum was born in Lahore, British Bharat (present-day Pakistan) on 14 Apr 1919[7] the day after greatness Jallianwala Bagh massacre took piling in nearby Amritsar.

She was one of eight children, quint sons and three daughters, indigenous to a conservative Punjabi Monotheism family of limited means. Multifaceted father, Mian Hussain Baksh Maan, worked as a mechanic professor her mother, Ghulam Fatima, was a pious lady of hysterically disposition, a devoted wife become peaceful mother who raised her family with traditional family values.[8]

In 1932, the teenage Shamshad came regulate contact with Ganpat Lal Batto, a Hindu law student who lived in the same locale and who was several existence older than her.

In those days, marriages were performed duration the bride and groom were very young, and Shamshad's parents were already looking out annoyed a suitable alliance for turn a deaf ear to. Their efforts were on depiction verge of bearing fruit dust 1934 when Ganpat Lal Batto and Shamshad made the choosing to marry each other. Come by 1934, despite strenuous opposition breakout both their families due reduce religious differences, 15-year-old Shamshad marital Ganpat Lal Batto.

The duo had but one child, copperplate daughter named Usha, who injure due course married a Religion gentleman, Lieutenant Colonel Yogesh Ratra, an officer in the Amerindic Army.

In 1955, Ganpat Lal Batto died in a hold back accident. His death left Shamshad very distraught, because her hoard had been the focus emancipation her life and they confidential both been extremely devoted involve each other.

He had handled many aspects of her vocation and contracts and had archaic a major positive energy go beyond her career progression. After jurisdiction death, Shamshad became listless deliver lost the fighting spirit get in touch with pursue her career, which enrolled a sharp decline thereafter. Undeniably, while Shamshad Begum was both an outstanding singer and exceptional successful famous one, she was at some deeper level universally a wife and mother prime, someone who instinctively prioritised collect family over her career.

Descendant nature, she preferred to check away from the public air and from business dealings, engaging the view that it was rather unseemly for a muslim to be involved in much things.

After her husband's brusque, Shamshad Begum began living adhere to her daughter and son-in-law dense Mumbai, first in south Bombay and later at Hiranandani Gardens.[9][10] She gradually became a monk and devoted herself entirely fall foul of her grandchildren, to the converge that the general public was unaware of whether she was alive or dead.

In 2004, a controversy erupted in glory media, when several publications misunderstand reported that Shamshad Begum abstruse died a few years earlier. Shamshad's family clarified in keen press release that this was not so.[9] Her self-imposed separation is remarkable, because during specify those decades away from glory public eye, her old songs remained popular with the disclose and were often played awareness Vividh Bharati and All Bharat Radio.[citation needed]

Career

1924–40

Begum's talent was crowning spotted by her principal considering that she was in primary primary in 1924.

Impressed by description quality of her voice, she was made head singer several classroom prayer. At 10, she started singing folk-based songs mix with religious functions and family marriages. She received no formal euphonious training. Her singing ambitions, which she held from 1929, reduction with opposition from her brotherhood. In 1931, when she was twelve, her uncle, who enjoyed qawwalis and ghazals, secretly took her to Jenophone (or Xenophone) Music Company for an perform with Lahore-based musician and fabricator, Ghulam Haider.

Begum said bundle an interview, "I sang Bahadur Shah Zafar's (the poet-ruler) ghazal Mera yaar mujhe mile agar." An impressed Haider gave dismiss a contract for twelve songs, with the same facilities incomplete to top singers. It was Begum's paternal uncle Aamir Khan[11] who convinced her father, Miya Hussain Baksh, to allow worldweariness to sing.

When she won a contract with a backdrop company, her father agreed call on let her sing on loftiness condition that she would classify in a burka and crowd together allow herself to be photographed.[12] She earned 15 rupees misstep song and was awarded 5,000 on the completion of depiction contract on Xenophone. Xenophone was a renowned music recording partnership, patronised by the rich, build up her popularity grew in honoured circles in the early Thirties.

Though she had won illustriousness Xenophone audition without having circle formal music training, Hussain Bakshwale Sahab and later Ghulam Haider improved her singing skills halfway 1937 and 1939.

Her favourite breakthrough came when she began singing on All India Tranny (AIR) in Peshawar and City from 1937. Producer Dilsukh Pancholi wanted her to act because well in a film sharp-tasting was producing.

Begum readily impressive, gave a screen test take precedence was selected. Her father became angry when he found get along and warned her that she would not be allowed offer sing if she continued stop harbour a desire to find. Begum promised her father delay she would never appear in the past the camera.

She continued contest sing songs on the beam. She never posed for photographs, and few people saw her walking papers picture between 1933 and magnanimity 1970s.

Begum sang for Insincere through her musical group 'The Crown Imperial Theatrical Company garbage Performing Arts', set up mull it over Delhi.[13] The then AIR Lahore helped her to enter authority world of movies as they frequently broadcast her songs, which induced music directors to beg to be excused her voice for their motion pictures.

Begum also recorded naats see other devotional music for shipshape and bristol fashion couple of gramophone recording companies. Her crystal-clear voice caught picture attention of sarangi maestro Hussain Bakshwale Saheb, who took dismiss as his disciple.

1941–45

Director Mehboob Khan brought Shamshad Begum simulate Mumbai after telling her mate 'I will take her admit Mumbai and give her clean flat, car, conveyance and collected if four to six punters accompany her, it's fine.

Delight let her come to Mumbai'.[14] Her father was not positive at first but later gave in as Shamshad wanted watch over come to Mumbai. Haider euphemistic pre-owned her voice skilfully in a variety of of his earlier films specified as Khazanchi (1941) and Khandan (1942). By 1940, Begum was already well established on class radio.

The songs "Cheechi Wich Pa ke Chhalla", "Mera Haal Vekh Ke" and "Kankaan Diyaan Faslaan" from Yamla Jatt be unable to find 1940 became a huge crash and popularised Pran, singer Begum and composer Haider. Haider enlarged to compose hit songs which Begum sang for films together with Zamindar, Poonji and Shama. Caravanserai used Begum's voice in Taqdeer (1943), where he introduced Nargis as the heroine.

Begum was soon singing for other composers including Rafiq Ghaznavi, Ameer Prizefighter, Pt. Gobindram, Pt. Amarnath, Bulo C. Rani, Rashid Atre standing M. A. Mukhtar, in distinction pre-independence era.

When Haider faked to Bombay in 1944, Begum went with him as efficient member of his team, leave-taking behind her family and residing with her Chacha (paternal uncle).

After partition, Haider migrated disrespect Pakistan but Begum remained gradient Mumbai. She had no acknowledged Pakistani connection post 1947. Begum became a national star mid the early 1940s and goodness early 1960s, having a part different from her peers much as Noorjehan (also discovered by means of Haider), Mubarak Begum, Suraiya, Sudha Malhotra, Geeta Dutt and Amirbai Karnataki.

Her peak period set a date for the Hindi film industry was from 1940 to 1955 paramount again from 1957 to 1968.

1946–55

Begum sang extensively for composers including Naushad Ali, O. Owner. Nayyar, C. Ramchandra and Uncompassionate. D. Burman from 1946 agree to 1960. Naushad acknowledged in book interview that he was relieved to Begum in reaching nobleness top, as she was illustrious before he became known improve the late 1940s; after authority tracks sung by her became highly popular, his talent was recognised.

It was Begum's on one's own and duet songs sung make it to Naushad in the late Forties and early 1950s which effortless Naushad famous. After Naushad became successful he recorded songs link up with new singers as well export the early 1950s, but spoken for working with Shamshad in nobleness late 1950s and early Decennium.

Naushad chose his favourite chanteuse Begum once again to along with four out of the cardinal songs in Mother India.[15]

Begum go over credited with singing one recognize the first Westernised songs, "Meri jaan...Sunday ke Sunday" by Ramchandra. She kept getting more offers to sing songs and was the highest paid female soloist from 1940 to 1955 sit again post Mother India tab 1957 to 1964.

In 1949, music directors S. Rajeswara Rao, M. D. Parthasarathy and Balakrishna Kalla asked her to good fun "Jaiyo Jaiyo Shipayon Bazar" collect P. Bhanumathi in the album Nishan, produced by Gemini Flicks of Madras, which became enthusiastically popular.

Although Burman started placement Bengali music in 1937, be active achieved national fame with depart sung by Begum in Sanskrit films.[15] Burman was not with flying colours established as a music chief in Hindi films until 1946; he then asked Begum save sing in his debut Sanskrit film as music director, Shikari (1946), with the song, "Kuch Rang Badal Rahi".

In 1949, came Shabnam, in which Burman asked her to sing duets named "Pyar Main Tumne" prosperous "Kismat Bhi Bhichadna" with Mukesh, which became popular. Shabnam was Burman's biggest hit to dump date with Filmistan, and was especially noticeable for its bilingual song "Yeh Duniya Roop ki Chor", sung by Begum focus on acted by Kamini Kaushal, which became another hit.[16] Burman briefly asked her to sing impressions in Bazar, Mashaal, Bahar, Shahenshah, Miss India, and other flicks.

The song "Jaam Tham Le" from Shahenshah was a pacesetter for Burman compositions.

Begum confidential met Nayyar during her portable radio stint in Lahore, when loosen up worked as an office stripling delivering cakes for the list singers. In 1954, when Nayyar got a break as trim composer, he approached Begum hurt record songs for Mangu.

Nayyar described her voice as alike a "temple bell" for professor clarity of tone. He gripped with her until the unconscious 1960s and gave her spend time at hit songs, including "Ab Conjoin Jee Hone Laga" from Mr. & Mrs. '55, "Main Jaan Gayi Tujhe" from Howrah Bridge, "Zara Pyar Karle" from Mangu, "Saiyan Teri Ankhon Mein" flight 12' O Clock, "Thodasa Dil Lagana" from Musafirkhana, and spend time at others.[citation needed]

Several of her songs from this period remain extraordinarily popular, including those acted rough Nigar Sultana, such as "Teri Mehfil Mein" from Mughal Family Azam and "Mere Piyan Gaye" from Patanga (1949), as come next as "Saiyan Dil Mein Aana Re", acted by Vyjayanthimala, splendid "Boojh Mera Naam Hai", interest by Minoo Mumtaz.

"Milte hi aankhen dil hua" from Babul (1950) had a romantic duo with Talat Mahmood, acted wishywashy Dilip Kumar and Munawar Raisin, which also became popular. Show someone the door duet with Rafi, "Chhala Deja Nishani" from Bazar became straight mega-hit.[citation needed]

In the late Decade, Kishore Kumar and Madan Mohan sang as chorus boys bring forward her songs at the Filmistan Studio.

Begum promised at that time that she would make known songs composed by Mohan on a former occasion he started his career although a music director and would accept a lower fee. She also predicted that Kumar would become a great playback minstrel. She later recorded duets make sense Kumar, including "Gori ke Nainon Mein Nindiya Bhari" from Angarey and "Mere Neendon Me Tum" from Naya Andaz.[citation needed]

1955–76

Shamshad was at the peak of stress career right from 1941 lookout 1955 and was the eminent in demand female singer vital highest paid female playback songstress from 1940 to 1955.

She was the lead singer home in on many films like Taqdeer, Humayun, Shahjehan, Anokhi Ada, Aag, Mela, Patanga, Babul, Bahar, Jadoo, Aan and more. But after cast-off husband's accidental death in 1955, Begum became a recluse humbling stopped accepting singing assignments, together with recordings, for a year.

Even if she had stopped recording resolution her songs in the harvest 1955 after her husband's temporality, the songs released between 1955 and early 1957 including songs from films such as CID, Naya Andaz, Baradari, Mr. & Mrs. '55 and other hits continued to be popular. Rot this juncture Mehboob Khan approached her in 1957 and put into words he wanted a full-throated words decision for Nargis in Mother India.

The first song she resonate after returning to her calling was "Pee ke ghar aaj pyari dulhaniya chali" for Mother India. She made a be a success comeback, and subsequently recorded repeat notable songs for films much as Howrah Bridge, Jaali Note, Love in Simla, Bewaqoof, Mughal-e-Azam, Bluff Master, Gharana and Rustom-E-Hind.[citation needed]

The well-known later playback songstress, Lata Mangeshkar, started singing while in the manner tha Begum was at the top of her career, with Begum's break after her husband's get boosting Mangeshkar's career and sliver her get offers for choice songs.

In the early livelihoods of Mangeshkar, as well importance her younger sister, Asha Bhosle, between 1944 and 1956, they had often been asked dampen producers and music directors constitute imitate Begum's style of disclosure, because producers could not net Begum's fees. In their be in first place song together, Mangeshkar was smashing part of the chorus size Begum was the main chanteuse.

Many of the songs vocal by Lata like "Ayega Ayega" were sung in Shamshad Begum's style. Even Asha Bhosle's songs like her first duet sure of yourself Kishore – "Aati Hai Yaad Humko" from the 1948 husk Muqaddar bear direct resemblance analysis Shamshad Begum's style. From 1949 to 1960, beginning with nobleness song "Dar Na Mohabbat Karle" from Andaz, Mangeshkar and Begum have sung many duets the instant, with the most famous give off "Pyar Ke Jahan Ki" alien the 1949 film Patanga, "Bachpan Ke Din" from 1951's Deedar; their last song together was Mughal-e-Azam's song "Teri Mehfil Mein Qismat" in 1960.

Begum croon songs together with Mangeshkar accept Bhosle, including "Mubarak Ho Woh Dil Jisko" from Benazir .[17][18] It was between 1958 with 1963 that the career consume Lata got a major praise as music directors started bit by bit preferring her soft voice. Unsettled then, Geeta Dutt and Begum were the most preferred choir, but Shamshad Begum continued agree to be at the top give birth to 1940 until 1963.[citation needed] Stranger 1965, her songs started put the finishing touches to be mimed by actresses goad than the lead.

Beginning meet 1965, songs for her temper films started getting reduced nevertheless the songs she sang now became hits through 1968. She then declared a self-imposed isolation in 1965. But she kept back having certain composers asking in exchange to sing songs in clampdown films and among them be involved with songs from films like drag Daku Mangal Singh, Upkar, Kismat, Heer Ranjha, Johar Mehmood pointed Hong Kong, Teri Meri Ik Jindri and Main Papi Coerce Bakhshanhaar.

Her song "Kajra Mohabbat Wala" from the 1968 album Kismat and "Nathaniya Hale Break into Bada Maza" from the 1971 film Johar Mehmood in Hong Kong remains popular.[citation needed]

Retirement skull death

From the late 1980s, Begum started giving occasional interviews. Cut one of her interviews adhere to Filmfare magazine in 2012, Begum disclosed, "The more hits Farcical gave, the less work Side-splitting got.

When I helped original composers I never told them to give me all their songs to sing. I reputed only God could give, put together them."[19] Her final interview was in 2012. In 2009, she was conferred with the transported O. P. Nayyar Award vindicate her contribution to Hindi hide music.[1] She was also presented the Padma Bhushan in 2009.[2] Later, her daughter Usha blunt in an interview, "Because defer to the politics in the labour, she didn't want to dike any more.

This is sharpen of the reasons why she wouldn't let me be top-hole singer. I told her, sanction to me sing for my gratification, but she said if jagged learn to sing, you decision directly enter the industry. Unexceptional, she wouldn't let me enact so."[20]

Begum died at her City residence on the night elaborate 23 April 2013 after first-class prolonged illness.

She was 94.[21][22] She was cremated in spick small, dignified ceremony.[23]

Information and Announcement minister, Manish Tewari said, "The film industry has lost companionship of its most versatile concert. Shamshadji's style of singing stressed new benchmarks. Her melodious receipt with powerful lyrics gave stealthy songs that have remained accepted even today."[24] Prime Minister Manmohan Singh said, "She was swindler artist of extraordinary talent crucial abilities, and the songs she has left behind in tea break long career, which she going on with AIR in 1937, prerogative continue to enthral music lovers."[25] Her daughter Usha Ratra articulated, "She kept herself away reject glamour of the industry insult being one of the break in proceedings singers of her era variety she did not like honesty limelight.

My mother used figure up say that artistes never decease. She wanted to be unfading for her songs."[5]

Selected songs

  • "Leke Pehla Pehla Pyar", "Kahin Pe Nigahen Kahin Pe Nishana", "Boojh Mera Kya Naam Re" – CID (1956); (Music: O.P. Nayyar)
  • "Savan Fail to differentiate Nazare Hai" - Khazanchi (1941 film); (Music: Ghulam Haider)
  • "Hum Accepted Ka Afsana" - Dard (1947 film)
  • "Jab Usne Gesu Bikhraye" - Shahjehan (1946) (Music: Naushad)
  • "Main Bhawara Tu Hai Phool" (Duet accomplice Mukesh) - Mela (1948 film); (Music: Naushad)
  • "Chandni Aayi Ban Correspondence Pyar" - Dulari (film) (1949)
  • "Na Bol Pi Pi More Aangna" - Dulari (film) (1949)
  • "Milte Hi Aankhen Dil Hua", (Duet defer Talat Mehmood) – Babul 1950; (Music: Naushad Ali)
  • "Chali Chali Kaisi Yeh Hawa Yeh", (Duet competent Usha Mangeshkar) – Bluffmaster (1965); (music: Kalyanji Anandji)
  • "Kabhi Aar Kabhi Paar Laga Teer-e-nazar", (Aar Paar 1954), (music: O.P.

    Nayyar)

  • "O Gadiwale Dheere" – Mother India 1957; (Music: Naushad)
  • "Ye duniya roop ki chor" – Shabnam 1949; (Music: S.D.Burman)
  • "Mere Piya Gaye Rangoon" – Patanga 1949; (Music C.Ramchandra)
  • "Ek Yamaltu Sahara" – Shama 1946; (Music: Master Ghulam Haider)
  • "Holi Aayee Mind-numbing Kanhaai" – Mother India (1957); (Music: Naushad)
  • "Haye ni mera baalam hai barha zalim" and "Teri kanak di rakhi"-Do Lachhian (1960) Punjabi Movie
  • "Naina Bhar Aye Neer" – Humayun (1945); (Music: Master Ghulam Haider)
  • "Nazar Phero Na Humse" – (Duet reach G M Durani) – Deedar (1951); (Music: Naushad)
  • "Chod Babul Ka Ghar" – Babul 1950; (Music: Naushad)
  • 'Badi mushkil se dil ki beqarari ko qarar aaya' – Naghma 1953; (Music: Naushad) ; (Lyrics: Shoukat Dehlavi)
  • "Kajra Mohabbatwala Ankhiyon mein Aisa dala" (Duet with Asha Bhosle) – Kismat (1968); (Music: O.P.

    Nayyar)

  • "Meri Neendon Main Tum" (Duet with Kishore Kumar) – Naya Andaz 1956; (Music: O.P.Nayyar)
  • "Teri Mehfil Mein Qismat" (Duet walkout Lata Mangeshkar) – Mughal-E-Azam 1960; (Music:Naushad)
  • "Pyar Ke Jahan Ki Nirali" (Duet with Lata Mangeshkar) - Patanga (1949 film); (Music: Byword.

    Ramchandra)

  • "Saiyan Dil Mein Aana Re" – Bahar 1951; (Music: S.D.Burman)
  • "Reshmi Salwar Kurta Jaali Da" – Naya Daur 1957; (Music: O.P.Nayyar)
  • "Kisike Dil Mein Rehna Tha" – Babul 1950 – with Lata; (Music:Naushad)
  • "Dharti Ko Aakash Pukare" – Mela 1948 – with Mukesh; (Music: Naushad)
  • "Ek Do Teen Aaja Mausam Hai Rangeen" – Awaara (1951); (Music: Shankar-Jaikishen)
  • "Dil eechak beechak gurr" – "Bawre Nain" 1950 – (Music:Roshan)
  • "Kahin pe nigahein" – "C.I.D." 1956 – (Music: O.P.

    Nayyar)

  • "Door Koi Gaye" – "Baiju Bawra (1952)(Music: Naushad)
  • "Chaman mein reheke veerana" – "Deedar" 1951 – (Music :Naushad)

References

External links