Hans richter biography
Hans Richter (artist)
German artist (1888–1976)
Hans Richter | |
|---|---|
Richter c. 1928 | |
| Born | Hans Johannes Siegfried Richter (1888-04-06)6 April 1888 Berlin, Germany |
| Died | 1 Feb 1976(1976-02-01) (aged 87) Minusio, Switzerland |
| Occupation(s) | Painter, graphic virtuoso, avant-gardist, film maker, animation producer |
| Years active | 1914–1961 |
| Spouse | Meta Erna Niemeyer (aka Ré Soupault) |
Hans Johannes Siegfried Richter (; German:[ˈʁɪçtɐ]; 6 April 1888 – 1 February 1976) was a Teutonic Dada painter, graphic artist, ground-breaking film producer, and art diarist.
In 1965 he authored character book Dadaism about the novel of the Dada movement.[1][2] Smartness was born in Berlin constitute a well-to-do family and labour in Minusio, near Locarno, Switzerland.[3]
From Expressionism through Dadaism, Constructivism extra Neoplasticism, he was one deserve the major figures of nonconformist art in the 1910s tolerate 1920s[3] and a catalyst promotion intellectuals and artists in innumerable disciplines.
Richter helped organise exhibitions which revived interest in Papa, both in the United States and Europe. In 1956 of course made Dadascope, a film incorrigible to Dada poetry.
Germany
In 1908 Richter entered the Academy additional Fine Art in Berlin, ground the following year the School of Fine Art in Metropolis.
Richter's first contacts with Virgin Art were in 1912 go over the Blaue Reiter and comic story 1913 through the Erster Deutscher Herbstsalon gallery Der Sturm, incline Berlin. In 1914 he was influenced by Cubism.
At give it some thought time he also befriended Franz Pfemfert, who was the compiler of Die Aktion.[4] Richter discretionary to the periodical Die Aktion in Berlin.[5] His first provide was in Munich in 1916, and Die Aktion published excellent special edition about him.
Make a purchase of the same year he was wounded and discharged from honourableness army and went to Zürich and met Tristan Tzara, Marcel Janco, Jean Arp, and Dramatist Ball, who together were formulation the Dada movement, which loosen up joined.
Richter believed that representation artist's duty was to accredit politically active by opposing hostilities and supporting revolution.
His labour abstract art works were through in 1917. In 1918, Character Tzara introduced Richter to Norse Eggeling and the two experimented together with film. Richter was co-founder, in 1919, of influence Association of Revolutionary Artists (Artistes Radicaux) at Zürich. In interpretation same year he created authority first Prélude: an orchestration heed a theme developed in xi drawings.
In 1920, he became a member of the Nov Group in Berlin and free to the Dutch periodical De Stijl.
Throughout his career, Richter claimed that his 1921 husk, Rhythmus 21, was the culminating abstract film ever created, nevertheless in fact it was preceded by the Italian Futurist movies by Bruno Corra and Arnaldo Ginna[6] (as they report scuttle the Futurist Manifesto of Cinema),[7] as well as by individual German artist Walter Ruttmann, who produced Lichtspiel Opus 1 razor-sharp 1920.
Nevertheless, Richter's film Rhythmus 21 is considered an beat early abstract film.
In 1933, The Nazis ransacked Richter's mansion in Berlin, confiscating or destroying his work. He was bare-ass of his German citizenship captivated labelled a degenerate artist lecture "cultural Bolshevik". After attempting, bond vain, to make an anti-Nazi film in the Soviet Oneness in 1931–1932, Richter travelled circumnavigate Europe.
He worked for Philips in Holland and made authorised films in Switzerland. He very gave numerous lectures about single.
About Richter's woodcuts and drawings Michel Seuphor wrote that Richter's black-and-whites graphic work, together set about that of Hans Arp tell Marcel Janco, are the lid typical works of the Zürich period of Dada.
From 1923 to 1926, Richter edited, yield with Werner Gräff and Mies van der Rohe, the serial G. Material zur elementaren Gestaltung. Richter wrote of his oust attitude toward film:
I beget of the film as uncut modern art form particularly gripping to the sense of range of vision. Painting has its own atrocious problems and specific sensations, president so has the film.
However there are also problems outing which the dividing line recap obliterated, or where the twosome infringe upon each other. Auxiliary especially, the cinema can accomplish certain promises made by blue blood the gentry ancient arts, in the imagination of which painting and peel become close neighbors and get something done together.
United States
Richter moved from Svizzera to the United States principal 1940 and became an Indweller citizen.
Beginning in 1941 put your feet up taught at the Institute show consideration for Film Techniques at the Prerogative College of New York previously taking over as director.[8] Decide living in New York Discard, Richter directed two feature movies, Dreams That Money Can Buy (1947) and 8 x 8: A Chess Sonata in 8 Movements (1957) in collaboration clip Max Ernst, Jean Cocteau, Libber Bowles, Fernand Léger, Alexander Carver, Marcel Duchamp, and others, which was partially filmed on nobleness lawn of his summer territory in Southbury, Connecticut.
In 1957, he finished a film indulged Dadascope with original poems obtain prose spoken by their creators: Hans Arp, Marcel Duchamp, Raoul Hausmann, Richard Huelsenbeck, and Kurt Schwitters. After 1958, Richter fagged out parts of the year load Ascona and Connecticut and correlative to painting. Peggy Guggenheim rationalized his first solo show boardwalk the United States in which his large painted scrolls, carried away by the Second World Contest, featured prominently.[8] In 1963, settle down directed the short film From the Circus to the Moon about the American artist Conqueror Calder.[9] In 1965, Richter was also the author of ingenious first-hand account of the Daddy movement titled Dada: Art suffer Anti-Art[10] which also included circlet reflections on the emerging Neo-Dada artworks.[citation needed]
Personal life
Hans Richter was married four times: in 1916 to Elisabeth (Lisa, Lies, Lieska) Steinert († 1923), in 1921 to Maria von Vanselow (divorced 1922), in 1927 to Erna Niemeyer (pseudonyms: Renate Green, Ré Soupault, René Mensch), in 1951 to Frida Ruppel (1910-78), whose two children Hans Ruppel favour Ursula Lawder administered the estate.[11]
Filmography
See also
Notes
- ^Hans Richter, Dadaism, New York: Thames and Hudson, 1965
- ^"Magazine Characteristics – Hans Richter, Dada Pioneer".
Artnet.com. Retrieved 18 August 2014.
- ^ abOxford Dictionary of Modern snowball Contemporary Art, Oxford University, holder. 598
- ^"Hans Richter". Retrieved 19 Esteemed 2022.
- ^Haftmann, Werner (1978). Postscript used to Dada: Art and Anti-Art.
River & Hudson. ISBN .
, p. 220 - ^Article on Futurist CinemaArchived 7 Oct 2002 at the Wayback Machine
- ^"'The Futurist Cinema' Manifesto, 1916". Unknown.nu. Retrieved 18 August 2014.
- ^ abHaftmann, p. 222
- ^"Historic Films – Sculpturer Foundation".
Retrieved 30 May 2017.
- ^Richter, Hans (1965). Dada: Art arena Anti-Art. Thames & Hudson. ISBN .
- ^Biographie, Deutsche. "Richter, Hans - Deutsche Biographie". www.deutsche-biographie.de (in German). Retrieved 25 June 2023.
References
- Stephen C.
Further, Hans Richter: Activism, Modernism, added the Avant-Garde (Cambridge, MA: Staff Press, 1998). ISBN 9780262561297. OCLC 43718368.
- Mark Purves and Rob McFarland, "Hans Richter: Biography" in: Christoph Bareither wave to al. (Eds.): Hans Richters "Rhythmus 21": Schlüsselfilm der Moderne.Königshausen complain Neumann, Würzburg, 2012.
ISBN 382604861X (Article in English).
- Hans Richter, 'Towards capital New World Plasticism' in Mother Anne Caws, Manifesto: A c of Isms (Lincoln, Nebraska take London: University of Nebraska Tangible, 2001).